Steely Dan

Steely Dan is an American rock band founded in 1971 in New York by Walter Becker (guitars, bass, backing vocals) and Donald Fagen (keyboards, lead vocals). Initially the band had a stable lineup, but in 1974 Becker and Fagen retired from live performances to become a studio-only band, opting to record with a revolving cast of session musicians. Rolling Stone has called them "the perfect musical antiheroes for the seventies".

Becker and Fagen played together in a variety of bands from their time together studying at Bard College in Annandale-on-Hudson, New York. They later moved to Los Angeles, gathered a band of musicians, and began recording albums. Their first, Can't Buy a Thrill (1972), established a template for their career, blending elements of rock, jazz, Latin music, R&B, blues, and sophisticated studio production with cryptic and ironic lyrics. The band enjoyed critical and commercial success through seven studio albums, peaking with their top-selling album Aja, released in 1977.

After Steely Dan disbanded in 1981, Becker and Fagen worked sporadically on solo projects through the 1980s, though a cult following remained devoted to the group's work. Since reuniting in 1993, Steely Dan has toured steadily and released two albums of new material, the first of which, Two Against Nature, earned a Grammy Award for Album of the Year. Their final album of new studio material was 2003's Everything Must Go, though the band has continued to release compilations, box sets, and live albums on a regular basis. After Becker's death in 2017, Fagen reluctantly continued the group with himself as the sole official member.

They have sold more than 40 million albums worldwide and were inducted into the Rock and Roll Hall of Fame in March 2001. VH1 ranked Steely Dan at No. 82 on their list of the 100 Greatest Musical Artists of All Time.[8] Rolling Stone ranked them No. 15 on its list of the 20 greatest duos of all time.

History

Formative and early years (1967-1972)

Becker and Fagen met in 1967 at Bard College, in Annandale-on-Hudson, New York. As Fagen passed by a cafe, The Red Balloon, he heard Becker practicing the electric guitar. In an interview, Fagen recounted the experience: "I hear this guy practising, and it sounded very professional and contemporary. It sounded like, you know, like a black person, really." He introduced himself to Becker and asked, "Do you want to be in a band?" Discovering that they enjoyed similar music, the two began writing songs together.

Becker and Fagen began playing in local groups. One such group?known as the Don Fagen Jazz Trio, the Bad Rock Group and later the Leather Canary?included future comedy star Chevy Chase on drums. They played covers of songs by The Rolling Stones ("Dandelion"), Moby Grape ("Hey Grandma"), and Willie Dixon ("Spoonful"), as well as some original compositions. Terence Boylan, another Bard musician, remembered that Fagen took readily to the beatnik life while attending college: "They never came out of their room, they stayed up all night. They looked like ghosts?black turtlenecks and skin so white that it looked like yogurt. Absolutely no activity, chain-smoking Lucky Strikes and dope.

After Fagen graduated in 1969, the two moved to Brooklyn and tried to peddle their tunes in the Brill Building in midtown Manhattan. Kenny Vance (of Jay and the Americans), who had a production office in the building, took an interest in their music, which led to work on the soundtrack of the low-budget film (featuring Richard Pryor and Robert Downey Sr.) You've Got to Walk It Like You Talk It or You'll Lose That Beat. Becker later said bluntly, "We did it for the money." A series of demos from 1968 to 1971 are available in multiple different releases, not authorized by Becker and Fagen. This collection features approximately 25 tracks and is notable for its sparse arrangements (Fagen plays solo piano on many songs) and lo-fi production, a contrast with Steely Dan's later work. Although some of these songs ("Caves of Altamira", "Brooklyn", "Barrytown") were re-recorded for Steely Dan albums, most were never officially released.

In 1970, Gary Katz produced an album by Linda Hoover, I Mean to Shine, featuring Fagen, Becker, and Jeff "Skunk" Baxter, and including five Becker/Fagen songs. The album was shelved over songwriting licensing issues, but was finally released 52 years later, in 2022.

Becker and Fagen joined the touring band of Jay and the Americans for about a year and a half. They were at first paid $100 per show, but partway through their tenure the band's tour manager cut their salaries in half. The group's lead singer, Jay Black, dubbed Becker and Fagen "the Manson and Starkweather of rock 'n' roll", referring to cult leader Charles Manson and spree killer Charles Starkweather.

They had little success after moving to Brooklyn, although Barbra Streisand recorded their song "I Mean To Shine" on her 1971 Barbra Joan Streisand album. Their fortunes changed when one of Vance's associates, Gary Katz, moved to Los Angeles to become a staff producer for ABC Records. He hired Becker and Fagen as staff songwriters; they flew to California. Katz would produce all their 1970s albums in collaboration with engineer Roger Nichols. Nichols would win six Grammy Awards for his work with the band from the 1970s to 2001.

Also realizing that their songs were too complex for other ABC artists, at Katz's suggestion Becker and Fagen formed their own band with guitarists Denny Dias and Jeff "Skunk" Baxter, drummer Jim Hodder and singer David Palmer, and Katz signed them to ABC as recording artists. Fans of Beat Generation literature, Fagen and Becker named the band after a "revolutionary" steam-powered dildo mentioned in the William S. Burroughs novel Naked Lunch. Palmer joined as a second lead vocalist because of Fagen's occasional stage fright, his reluctance to sing in front of an audience, and because the label believed that his voice was not "commercial" enough.

In 1972, ABC issued Steely Dan's first single, "Dallas", backed with "Sail the Waterway". Distribution of "stock" copies available to the general public was apparently extremely limited; the single sold so poorly that promotional copies are much more readily available than stock copies in today's collectors market. As of 2015, "Dallas" and "Sail the Waterway" are the only officially released Steely Dan tracks that have not been reissued on cassette or compact disc. In an interview (1995), Becker and Fagen called the songs "stinko". "Dallas" was later covered by Poco on their Head Over Heels album.

They have sold more than 40 million albums worldwide and were inducted into the Rock and Roll Hall of Fame in March 2001. VH1 ranked Steely Dan at No. 82 on their list of the 100 Greatest Musical Artists of All Time. Rolling Stone ranked them No. 15 on its list of the 20 greatest duos of all time.

History Formative and early years (1967-1972) Becker and Fagen met in 1967 at Bard College, in Annandale-on-Hudson, New York. As Fagen passed by a cafe, The Red Balloon, he heard Becker practicing the electric guitar. In an interview, Fagen recounted the experience: "I hear this guy practising, and it sounded very professional and contemporary. It sounded like, you know, like a black person, really." He introduced himself to Becker and asked, "Do you want to be in a band?" Discovering that they enjoyed similar music, the two began writing songs together.

Can't Buy a Thrill and Countdown to Ecstasy (1972-1973)

Can't Buy a Thrill and Countdown to Ecstasy (1972?1973) Can't Buy a Thrill, Steely Dan's debut album, was released in 1972. Its hit singles "Do It Again" and "Reelin' In the Years" reached No. 6 and No. 11 respectively on the Billboard singles chart. Along with "Dirty Work" (sung by David Palmer), the songs became staples on radio.

Because of Fagen's reluctance to sing live, Palmer handled most of the vocal duties on stage. During the first tour, however, Katz and Becker decided that they preferred Fagen's interpretations of the band's songs, persuading him to take over. Palmer quietly left the group while it recorded its second album; he later co-wrote the No. 2 hit "Jazzman" (1974) with Carole King.[21] Village Voice rock critic Robert Christgau was pleased with the elevation of Fagen, noting that Palmer "fit in like a cheerleader at a crap game."

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